The Design Ark

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Typography

Nice work from Savvy Studio.

El Camino Foodtruck is our answer to Monterrey’s gastronomic needs. Its menu caters for all tastes, ranging from vegetarian options to delicious Texas-style hamburgers and sandwiches. The Spanish/English combination in its name is a play with words which aims to communicate these flavors.

For this project we developed and exhaustive graphic language which is constantly growing. The aim is to make the Foodtruck very recognizable through its easily identifiable graphic style. Americana and biker tattoos are two strong influences, expressing the truck’s rough and Texan personality in an appealing way. El Camino Foodtruck is a tribute to an artisan approach, from the meticulous preparation of the food it serves to the creation and implementation of its visual language that was conceived in pencil and paper and later hand drawn directly on the truck.

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Beautiful work from talented Ryan Feerer. Read more about the project here.

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A stop motion chalk drawing for Twixl Media.

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Earlier this week Jessica Hische launched her lat­est font, Minot, a beau­ti­ful orna­men­tal dis­play face. Available to purchase here.

Minot is a new display typeface that I had a ton of fun making and hope you guys have just as much fun playing with it. The typeface comes in three styles: Outline, Fill, and Box, and they’re meant to be used together to create multi-color headlines.

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Teaching Character a series of typographic installations by Stephen Doyle.

A unique idea is cropping up in some American Schools, and that is the idea of teaching character as well as academics. Success, they believe, is not the result of being smart, but also of having ingrained character traits that allow one to handle failure, have empathy, posses gratitude etc. In the story, seven traits are characterized: Grit, Optimism, Curiosity, Self-Control, Gratitude, Zest… and that old chestnut, Social Intelligence. Our objective was to infiltrate the actual school grounds with these words to illustrate the idea that these character traits are as much of a part of the school as the walls, doors, textbooks and biology specimens. Our target audience was the informed reading public, and our strategy was to enchant them with a magical installation of a simple idea.

Once one realizes that our installation is not Photoshop, but rather a 3-D application of painters tape in a real school environment, we hope that that the delight of seeing carefully executed typographic anamorphism illustrating a provocative article might bring a sense of satisfaction to the reader. I don’t know if this is positively “innovative” though I haven’t seen a strategic use of typographic anamorphism used editorially. I do know that it was a real delight to watch the installations come together, and that the team assembling them with me—as well as the kids in the schools—were thrilled to see each one take shape so that the word, distorted from all angles but one, finally, seemed to magically float in space in front of us, defying gravity.

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Social Mail Stamps, a nice project from Alex Butenko.

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Paper. Scalpel. Ruler. Scanner. Typographic experiments by German designer Tony Ziebetzki.

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